Relic (2020)
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I’ve often maintained that good horror is difficultly to do. It’s very easy to assault an audience with numerous jump…
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The Invisible Man (2020)
Leigh Whannell is a director who wears his love of genre cinema very much on his sleeve. From his early…
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Birds of Prey (Carlo’s Take) (2020)
Birds of Prey is like emptying an entire jar of Nutella onto a singular slice of bread. Very few people may…
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Carlo’s Cinematic Happy Places of 2019
Yup, it’s indeed that time of year – again, where I gather up the morsels of cinema, the moments that…
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The Gentlemen (2020)
There’s a notion bandied about on Film Twitter that Guy Ritchie never fully recovered following his meteoric rise during his Lock,…
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Jojo Rabbit (2019)
There’s a moment in Jojo Rabbit where our titular character forgets his fanaticism and devotion to Hitler and Nazi Germany and embraces…
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Terminator: Dark Fate (2019)
I do wonder how Dark Fate would have been received had it not had three complete misfires come before it.…
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Gemini Man (2019)
Gemini Man is very much an exercise in tech-over-story cinema. A by the numbers tale of a retired government assassin being…
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The Nightingale (2019)
Note from the writer: I’m putting a content warning on this film. There are three scenes of stark sexual violence…
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MIFF ’19 – The Beach Bum (2019)
There’s a kind of charming pointlessness to Harmony Korine’s latest effort The Beach Bum. One of the more harmless entries…
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