The Gentlemen (2020)
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There’s a notion bandied about on Film Twitter that Guy Ritchie never fully recovered following his meteoric rise during his Lock,…
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Jojo Rabbit (2019)
There’s a moment in Jojo Rabbit where our titular character forgets his fanaticism and devotion to Hitler and Nazi Germany and embraces…
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Terminator: Dark Fate (2019)
I do wonder how Dark Fate would have been received had it not had three complete misfires come before it.…
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Gemini Man (2019)
Gemini Man is very much an exercise in tech-over-story cinema. A by the numbers tale of a retired government assassin being…
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The Nightingale (2019)
Note from the writer: I’m putting a content warning on this film. There are three scenes of stark sexual violence…
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MIFF ’19 – The Beach Bum (2019)
There’s a kind of charming pointlessness to Harmony Korine’s latest effort The Beach Bum. One of the more harmless entries…
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MIFF ’19 – Cerulean Blue (2019)
As far as debut features go, Adrian Ortega’s understated and quiet Cerulean Blue may not seem like the obvious choice…
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MIFF ’19 – The Dead Don’t Die (2019)
The Dead Don’t Die is about as subtle as an axe to the face. Admittedly, most zombie films aren’t exactly…
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MIFF ’19 – Amazing Grace (2019)
In 1972, following her monumental success, Aretha Franklin wanted to try something different for her next album. In collaboration with…
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MIFF ’19 – Once Upon a Time…in Hollywood (2019)
Quentin Tarantino is a filmmaker who entered cinema at exactly the right moment it needed him, but also has the…
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