Zack Snyder’s Justice League (2021)
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There isn’t much I remember about 2017’s Justice League. From what I do, I recall it being a mish mash…
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Godzilla Vs. Kong (2021)
Godzilla vs. Kong is very much a critic proof film. No level of pontificating about the lack of human character…
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Judas and the Black Messiah (2021)
Judas and the Black Messiah sits firmly within that camp of filmmaking that is both entrancing and enraging. A look…
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Tenet (2020)
Tenet feels like the second film in a series of alternate universe Bond films (the first obviously being Inception), where…
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Relic (2020)
I’ve often maintained that good horror is difficultly to do. It’s very easy to assault an audience with numerous jump…
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The Invisible Man (2020)
Leigh Whannell is a director who wears his love of genre cinema very much on his sleeve. From his early…
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Birds of Prey (Carlo’s Take) (2020)
Birds of Prey is like emptying an entire jar of Nutella onto a singular slice of bread. Very few people may…
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Carlo’s Cinematic Happy Places of 2019
Yup, it’s indeed that time of year – again, where I gather up the morsels of cinema, the moments that…
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The Gentlemen (2020)
There’s a notion bandied about on Film Twitter that Guy Ritchie never fully recovered following his meteoric rise during his Lock,…
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Jojo Rabbit (2019)
There’s a moment in Jojo Rabbit where our titular character forgets his fanaticism and devotion to Hitler and Nazi Germany and embraces…
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