The Social Reckoning (2026)
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When The Social Network debuted in 2010, it became a critical, cultural, and financial success because of its ability to…
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Hope (2026)
Hope is as much an epic sci-fi thriller as it is a maximalist, high-concept action film. It may be repetitive,…
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The Dog Stars (2026)
Ridley Scott seems to believe that enough self-aggrandising about his own recent filmography can convince audiences that these are good…
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Ice Cream Man (2026)
Ice Cream Man is a morally repugnant mess. It masquerades as a high-concept slasher when it is nothing more than…
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Teenage Sex and Death at Camp Miasma (2026)
Teenage Sex and Death at Camp Miasma is a metatextual celebration of horror’s unique capability to confront and via cathartic…
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Pools (2025)
Figuring out what to do in life is rarely a journey ventured in a straight line. In Sam Haynes’ tender…
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Moana (2026)
Disney’s so-called live-action remakes of their beloved animated films have always felt mis-marketed. For the most part, they are still…
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Leviticus (2026)
There is a particular heartbreak in seeing those you love to turn seemingly against you. Someone you thought was a…
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Backrooms (2026)
Backrooms began as a creepypasta posted to a 4chan thread in 2019: a simple, slightly tilted image depicting a yellow-soaked,…
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Mother Mary (2026)
Death is not the only way to grieve someone you love. Sometimes the deepest sorrow comes from living alongside the…
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