The Surprise Visit (2022)
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Though The Surprise Visit is hoping it can bank some interest on the fact that it’s “Based on a true…
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Film Maudit 2.0 Film Festival Review: Divide & Conquer
A film that comes from the Troma production company will always be one bathed in a serious heft of unusuality.…
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Famous (2021)
Less a traditional film and more an experimental project that intertwines the temperament of live theatre, Famous, from writer/director Michael…
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Dangerous (2021)
There isn’t an awful lot about David Hackl’s Dangerous that feels remotely original, least of all its stale, generic title…
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The Tragedy of Macbeth (2021)
Given how often William Shakespeare’s works have been adapted and recontextualised over the years, a faithful telling of his works…
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Licorice Pizza (2021)
The San Fernando Valley where director Paul Thomas Anderson grew up has often been a setting drenched in appreciation of…
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House of Gucci (2021)
In this age of the prestige that is the limited television series, something like House of Gucci feels tailor made…
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Last Moment of Clarity (2020)
There’s an evident love of all things Hitchcock at play in Last Moment of Clarity, but despite a solid line-up…
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The Pebble and the Boy (2021)
A film that very much honours the mod movement of the 1960’s, The Pebble and the Boy takes the classic…
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The Gateway (2021)
The social worker at the centre of The Gateway isn’t the atypical embodiment that we usually conjure in our mind…
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