Little (2019)
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There’s no denying that Little is, well, little more than a modern-day version of Big, just in reverse. You can…
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Wonder Park (2019)
Instead of aiming for the type of animated outing that both adult and children connect with, Wonder Park predominantly caters…
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Dumbo (2019)
Something of a return to form for director Tim Burton, aided by a heft of leeway given the original material,…
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Fighting With My Family (2019)
As one of the characters in Fighting With My Family proclaims that “wrestling is storytelling”, and there’s a grand difference…
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Wild Nights with Emily (2018) – MQFF Review
Though the title suggests otherwise, Wild Nights with Emily‘s narrator Mabel Todd (Amy Seimetz) did not in fact share any…
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Everybody Knows (Todos lo Saben) (2018)
With a “whodunnit”-type mystery at its core, Asghar Farhadi’s Everybody Knows (Todos lo Saben) lays out the type of plot that…
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Greta (2019) – Second Take
Helming his first film in 6 years, director Neil Jordan (Interview With The Vampire, The Crying Game) does away with…
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What Men Want (2019)
When his undeniable charisma was enough to bury his true misogynistic mentality, Mel Gibson anchored the 2000 comedy What Women…
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Cold Pursuit (2019)
If you walk into Cold Pursuit expecting it to fall in line with Liam Neeson’s other action ventures – mainly…
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The Front Runner (2018)
After his forays into more melodramatic territory resulted in the less-than-stellar Men, Women & Children and Labor Day, Jason Reitman’s…
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