Bombshell (2020)
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On face value, Bombshell might be confused as the third entry into Adam McKay’s (polarising) takedown of corporate/conservative America. It’s…
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1917 (2020)
World War I doesn’t have the same prevalence in popular culture that World War II does. For every All Quiet…
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The Gentlemen (2020)
There’s a notion bandied about on Film Twitter that Guy Ritchie never fully recovered following his meteoric rise during his Lock,…
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Little Women (2020)
There’s a lot of expectation for Greta Gerwig’s follow up to the critically acclaimed, brilliant Lady Bird (2017). There’s also…
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Jojo Rabbit (2019)
There’s a moment in Jojo Rabbit where our titular character forgets his fanaticism and devotion to Hitler and Nazi Germany and embraces…
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Spies In Disguise (2019)
When it comes to wrapping a message inside its outlandish visuals, the animated movie is the most notorious culprit. And…
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Jumanji: The Next Level (in 4DX)
If you’re not aware, large cineplexes across Australia have begun installing 4DX cinemas, which purport to give you an enhanced…
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Second Take: Star Wars: The Rise of Skywalker (2019)
Want to read more Rise of Skywalker thoughts? Check out Peter’s review here. As I sit down to write my…
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First Impressions: Netflix’s The Witcher (2019)
As the titular Witcher in Netflix’s anticipated new hopeful-necessary viewing series, Henry Cavill could have very easily rested on his…
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Cats (2019)
Given that the lauded stage-show was never a production driven by a narrative, Hollywood really should have taken note from…
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