The Innocents (2021)
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The horror genre has always embraced the archetype of “the creepy child”. Most of the time you want to yell…
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We’re All Going to the World’s Fair (2021)
From the moment young Casey (Anna Cobb in a captivating debut performance) stares directly into her webcam – which, in…
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Doctor Strange in the Multiverse of Madness (2022)
In the later stages of the Infinity Saga, there was a rigidity on both fronts of storytelling and creativity in…
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The Northman (2022)
The Northman feels like a film forgotten by the 80’s. A harkening back to a more fantastical brutality, it could…
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Cinequest Film Festival Review: Maybe Someday (2022)
From the moment Michelle Ehlen’s Maybe Someday begins, it’s all too obvious that heartbreak is the core emotion of the…
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Ambulance (2022)
Somewhere in the heaving, screaming twisted metal of Ambulance is a taut, effective 90 minuter that could have been Michael…
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Sonic the Hedgehog 2 (2022)
Given that so many children-aimed films tend to throw in a joke or two for the accompanying adults to enjoy,…
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The Batman (2022)
Matt Reeves’ The Batman feels like the most obvious choice in tone and direction the franchise has encountered in years.…
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Cyrano (2022)
Cyrano feels like a movie meant for a different time, for an audience completely unscathed by cynicism and the hostile…
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Trouble Sleeping (2022)
When a film has been sitting on the completed shelves for over five years, it’s safe to assume its ultimate…
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