Good Boys (2019)
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There’s been a lot of emphasis placed on the Good Boys promotional material surrounding the fact that the film is…
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Abominable (2019)
Abominable, the latest creation from the Dreamworks factory, isn’t going to be winning any awards for originality, but a predictable…
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Dora and the Lost City of Gold (2019)
As an adult in his mid-30’s, with no kids to speak of either, Dora the Explorer is not a show…
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Downton Abbey (2019)
As someone completely unversed in the manner of Downton Abbey, this filmic “event” is nowhere near as momentous as it…
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The Nightingale (2019)
Note from the writer: I’m putting a content warning on this film. There are three scenes of stark sexual violence…
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Dragged Across Concrete (2018)
Thanks to impeccably titled, impossibly violent films like Bone Tomahawk and Brawl In Cell Block 99, writer/director S. Craig Zahler…
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Midsommar (2019)
Last year, Ari Aster’s Hereditary delivered one of my all-time favourite public theatre viewing experiences. Peter (Alex Wolff) slowly awakens…
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MIFF ’19 – The Beach Bum (2019)
There’s a kind of charming pointlessness to Harmony Korine’s latest effort The Beach Bum. One of the more harmless entries…
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MIFF ’19 – Cerulean Blue (2019)
As far as debut features go, Adrian Ortega’s understated and quiet Cerulean Blue may not seem like the obvious choice…
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MIFF ’19 – The Dead Don’t Die (2019)
The Dead Don’t Die is about as subtle as an axe to the face. Admittedly, most zombie films aren’t exactly…
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