Part love letter/part scathing social commentary, I have no doubt Wes would be proud of his legacy.
The Surprise Visit (2022)
Though The Surprise Visit is hoping it can bank some interest on the fact that it’s “Based on a true…
Read More
Film Maudit 2.0 Film Festival Review: Divide & Conquer
A film that comes from the Troma production company will always be one bathed in a serious heft of unusuality.…
Read More
Famous (2021)
Less a traditional film and more an experimental project that intertwines the temperament of live theatre, Famous, from writer/director Michael…
Read More
Dangerous (2021)
There isn’t an awful lot about David Hackl’s Dangerous that feels remotely original, least of all its stale, generic title…
Read More
The Tragedy of Macbeth (2021)
Given how often William Shakespeare’s works have been adapted and recontextualised over the years, a faithful telling of his works…
Read More
Licorice Pizza (2021)
The San Fernando Valley where director Paul Thomas Anderson grew up has often been a setting drenched in appreciation of…
Read More
House of Gucci (2021)
In this age of the prestige that is the limited television series, something like House of Gucci feels tailor made…
Read More
The Matrix Resurrections (2021)
If your intention is to excoriate the Hollywood machine and lament the industry’s lack of originality, then why create a film that screams Matrix fan fiction.
West Side Story (2021)
Spielberg’s West Side Story is visually and musically engaging, and mostly succeeds in highlighting the present-day importance of the original’s themes sixty years later.
