Everything In Between (2022)
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The opening moments of Everything In Between have a certain chaos to them that, rightfully, may put interested audiences on…
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Forever First Love (2020)
Despite a premise, title and poster that speaks to the romantic comedy genre, Forever First Love, written and directed by…
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Chasing Wonders (2020)
Adhering to a similar coming-of-age narrative trope that has served the likes of director Richard Linklater so comfortably over the…
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June Again (2021)
Despite a rather sunny marketing campaign – the poster alone evokes feelings of joy – June Again is a far more emotionally…
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Occupation: Rainfall (2020)
You have to hand it to writer/director Luke Sparke for having the type of grandiose-fuelled ambition to make a big…
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High Ground (2020)
Meticulously crafted both on-screen and off – it took director Stephen Maxwell Johnson many years to earn the trust and…
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Penguin Bloom (2020)
Sydney local Sam Bloom had a self-confessed charmed life in the years leading up to a family holiday in 2013…
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The Wishmas Tree (2020)
No doubt hoping to pass itself off as the Australian equivalent of a Pixar offering, The Wishmas Tree is all…
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Ride Like A Girl (2019)
Over the years the Melbourne Cup has lost its identity as an event and become synonymous with controversy. The treatment…
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MIFF ’19 – Cerulean Blue (2019)
As far as debut features go, Adrian Ortega’s understated and quiet Cerulean Blue may not seem like the obvious choice…
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