The White Crow (2018)
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Whilst The White Crow makes no secret of how electrifying a dancer Rudolf Nureyev was, the Soviet ballet performer was…
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Wild Rose (2018)
Whether you’re a country music fan or not – and whatever you do, don’t refer to it as country and…
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Sydney Film Festival Review: Brittany Runs A Marathon (2019)
Given the fact that Amazon Studios acquired Brittany Runs A Marathon for a hefty $14 million out of Sundance, one…
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Sydney Film Festival Review: Animals (2019)
Exploring the complexities of female friendship in a manner that’s all too realistic, Sophie Hyde’s sophomore project Animals – the…
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Wild Nights with Emily (2018) – MQFF Review
Though the title suggests otherwise, Wild Nights with Emily‘s narrator Mabel Todd (Amy Seimetz) did not in fact share any…
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You Were Never Really Here (2017)
Had You Were Never Really Here had its release shifted around to be more in the forefront of voters’ minds…
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The Leisure Seeker (2017)
Placing reliable talent like Donald Sutherland and Helen Mirren together seems practically like a fail-safe for any type of film…
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Lady Bird (2018)
Lady Bird is so effortlessly sweet, so laden with charm and just so damn lovely that any reviewer trying to…
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Beauty and the Beast (2017)
Beauty and the Beast is a live-action adaptation of one of Disney’s most beloved and enchanting animations. So far, the…
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Arrival (2016)
Denis Villeneuve’s Arrival couldn’t have been released at more fitting time in this writer’s life. As an any-moment-now expectant father,…
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