From The Vine (2019)
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Surface level attractive with little else of serious note, From The Vine, if nothing else, is a welcome reminder of…
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Chasing Wonders (2020)
Adhering to a similar coming-of-age narrative trope that has served the likes of director Richard Linklater so comfortably over the…
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The Father (2020)
A film that’s profoundly moving but utterly devastating in the manner in which it immerses its viewers in the tragic,…
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The Last Vermeer (2019)
A mixture of fact and fiction that delights in its real-world rooting, but takes flamboyant liberties all the same, The…
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Girls Can’t Surf (2020)
Despite there being a sense of peace and love that feels tied to the free spirits of surf culture, an…
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Music (2021)
Before going into Music it was difficult to not have a bit of my guard up given that there hasn’t…
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Go/Don’t Go (2020)
When it comes to post-apocalyptic cinema – even if we never see the event itself that caused such a societal…
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The One You Feed (2020)
A so-called erotic thriller that doesn’t quite generate many thrills or titillation, The One You Feed is an off-kilter offering…
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Never Rarely Sometimes Always (2020)
I’m not even going to pretend that I understand what it is to be a woman in today’s world, existing…
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The Last Black Man in San Francisco (2019)
A casualty of the gentrification that San Francisco experienced over the past half century, the expansive Victorian-style home that was…
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