Apartment 1BR (2019)
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Whilst in the middle of a global pandemic it would be more ideal to escape the harsh reality that is…
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Shortcut (2020)
Reminiscent of Jeepers Creepers (or, more specifically, its sequel, given the setting at hand) Shortcut is a teen-lite horror outing…
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The Last Laugh (2020)
The marketing blurb for The Last Laugh sells the film as “Suspiria meets Scream“. A bold claim if ever there…
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Deerskin (2019)
Coming off like an unbridled hybrid of a lost Twilight Zone episode, an R-rated Monty Python sketch, and a slasher…
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The Vigil (2019)
Religious iconography has long been a staple throughout the horror genre, and there’s really only so many ways it can…
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Relic (2020)
I’ve often maintained that good horror is difficultly to do. It’s very easy to assault an audience with numerous jump…
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The Wretched (2019)
There’s a 1980’s horror movie mentality to The Wretched that assists the particularly simple premise and screenplay in a manner…
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The Dinner Party (2020)
The notion of the separation between classes has oft been a road travelled in film, especially when focusing on the…
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In Fabric (2018)
To the individual consumer, fashion is something that is often specific to their desires, but in Peter Strickland’s off-the-wall dark…
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The Invisible Man (2020)
Leigh Whannell is a director who wears his love of genre cinema very much on his sleeve. From his early…
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