Resident Evil (2026)
So you CAN make a good one of these. When Weapons was released last year, the first thought that entered…
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Hope (2026)
Hope is as much an epic sci-fi thriller as it is a maximalist, high-concept action film. It may be repetitive,…
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The End Of Oak Street (2026)
“Is that a fucking dinosaur?!” There’s a moment in David Robert Mitchell’s The End of Oak Street that unlocked a…
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Teenage Sex and Death at Camp Miasma (2026)
Teenage Sex and Death at Camp Miasma is a metatextual celebration of horror’s unique capability to confront and via cathartic…
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The Odyssey (2026)
The Odyssey is a hearty stew of cinema. Gargantuan in scope, mesmeric in its technical achievement, one could say it’s…
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Evil Dead Burn (2026)
Evil Dead Burn is a mean fucker of an entrance in a mean fucker of a franchise. French filmmaker Sebastién…
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Leviticus (2026)
There is a particular heartbreak in seeing those you love to turn seemingly against you. Someone you thought was a…
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Backrooms (2026)
Backrooms began as a creepypasta posted to a 4chan thread in 2019: a simple, slightly tilted image depicting a yellow-soaked,…
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Ready or Not 2: Here I Come review — more blood, more lore, slightly less bite
Radio Silence may not quite match the original’s elegance, but in Ready or Not 2: Here I Come, they still know how to stage a wickedly entertaining bloodbath.
HIM (2025)
Jordan Peele has carved out a space in modern cinema where horror is more than jump scares—it’s a mirror for…
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