In Fabric (2018)
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To the individual consumer, fashion is something that is often specific to their desires, but in Peter Strickland’s off-the-wall dark…
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The Invisible Man (2020)
Leigh Whannell is a director who wears his love of genre cinema very much on his sleeve. From his early…
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Fantasy Island (2020)
Given that Fantasy Island director Jeff Wadlow’s last foray into Jason Blum-produced terror was the mind-numbingly ludicrous Truth or Dare,…
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The Lighthouse (2020)
For those keen for a cinematic challenge, The Lighthouse provides a unique nautical experience into the violent, murky waters of a man’s soul.
WIN: Double in-season passes to The Lighthouse [COMPLETED]
This competition has concluded. Thank you to everyone for entering. Thanks to Universal Pictures Australia, This Is Film has 5…
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The Addams Family (2019)
A product that tries to aim itself at a new, younger audience likely unversed in the macabre manner of the…
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The Furies (2019)
An elaborate, and ultimately very violent, game of cat and mouse is the very nature of a slasher film. And…
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Midsommar (2019)
Last year, Ari Aster’s Hereditary delivered one of my all-time favourite public theatre viewing experiences. Peter (Alex Wolff) slowly awakens…
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Sydney Film Festival Review: In Fabric (2018)
To the individual consumer, fashion is something that is often specific to their desires, but in Peter Strickland’s off-the-wall dark…
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Brightburn (2019)
Before James Gunn injected his signature left-of-centre temperament to the Marvel universe (he helmed both volumes of Guardians of the…
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