Renfield (2023)
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If ever there was a role Nicolas Cage was going to sink his teeth into, it’s that of Dracula. And the eccentric…
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The Way Out (2022)
On the surface it’s easy to pass off The Way Out as a trashy B-movie, one that hijacks the entertaining…
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Barbarian (2022)
I must preface this review by stating – I caution those with a genuine interest to see Barbarian (2022) to…
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Beyond Fest Review: The Offering (2022)
An effective, though questionably CGI’d movie monster and a welcome sense of atmosphere help The Offering from entirely falling victim…
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The Retreat (2021)
Whilst director Pat Mills (Guidance) and screenwriter Alyson Richards (The Sublet) don’t exactly travel anywhere entirely unexpected with The Retreat,…
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The Innocents (2021)
The horror genre has always embraced the archetype of “the creepy child”. Most of the time you want to yell…
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We’re All Going to the World’s Fair (2021)
From the moment young Casey (Anna Cobb in a captivating debut performance) stares directly into her webcam – which, in…
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Doctor Strange in the Multiverse of Madness (2022)
In the later stages of the Infinity Saga, there was a rigidity on both fronts of storytelling and creativity in…
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Studio 666 (2022)
Focusing on the rising tensions between band members that ultimately results in bloody separation – and, no, we can’t blame…
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Scream (2022)
Part love letter/part scathing social commentary, I have no doubt Wes would be proud of his legacy.
