Love Again (2023)
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Romantic comedies have so often embraced the “cheese”. Much of a genre narrative often hinges on such saccharine tropes, so…
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The Drop (2022)
It’s just before The Drop hits the 15 minute mark that it finally reveals its title – in all its…
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Everything In Between (2022)
The opening moments of Everything In Between have a certain chaos to them that, rightfully, may put interested audiences on…
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Beyond Fest Review: The Offering (2022)
An effective, though questionably CGI’d movie monster and a welcome sense of atmosphere help The Offering from entirely falling victim…
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Three Thousand Years of Longing (2022)
It makes sense that the marketing hook for Three Thousand Years of Longing would boast that it comes from “the…
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The Latin From Manhattan (2022)
Given that director Thomas Mignone explored the world of child abuse in his feature On The Doll with an unflinching…
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The Retreat (2021)
Whilst director Pat Mills (Guidance) and screenwriter Alyson Richards (The Sublet) don’t exactly travel anywhere entirely unexpected with The Retreat,…
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Trouble Sleeping (2022)
When a film has been sitting on the completed shelves for over five years, it’s safe to assume its ultimate…
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Help (2022)
The type of film that wants to be a suspenseful little thriller, littered with enough twists and turns to keep…
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Famous (2021)
Less a traditional film and more an experimental project that intertwines the temperament of live theatre, Famous, from writer/director Michael…
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