Hope (2026)
Hope is as much an epic sci-fi thriller as it is a maximalist, high-concept action film. It may be repetitive,…
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The End Of Oak Street (2026)
“Is that a fucking dinosaur?!” There’s a moment in David Robert Mitchell’s The End of Oak Street that unlocked a…
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Disclosure Day (2026)
Watching a Steven Spielberg film can often feel like coming home. So much of his visual language has been baked…
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Go/Don’t Go (2020)
When it comes to post-apocalyptic cinema – even if we never see the event itself that caused such a societal…
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Tenet (2020)
Tenet feels like the second film in a series of alternate universe Bond films (the first obviously being Inception), where…
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The Invisible Man (2020)
Leigh Whannell is a director who wears his love of genre cinema very much on his sleeve. From his early…
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Terminator: Dark Fate (2019)
I do wonder how Dark Fate would have been received had it not had three complete misfires come before it.…
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Gemini Man (2019)
Gemini Man is very much an exercise in tech-over-story cinema. A by the numbers tale of a retired government assassin being…
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Alita: Battle Angel – Second Take (2019)
I’ll admit, I was tentative entering the screening for Alita: Battle Angel for a number of reasons. The film is…
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Aquaman (2018)
An over the top, wildly bombastic and often times deliriously messy film, Aquaman is like getting blasted in the eyes…
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